Words of Advice

Whether it’s finding the strength to roll out of bed in the morning or climbing a mountain, everyone needs a little bit of motivation from time to time. Here at Light Grey Art Lab, we asked many different people all around the world to share their favorite uplifting quotes with us through our You Can Do It, Put Your Back Into It show. From silly to spiritual, everyone was able to bring something exciting to the table.

At our show opening, we reached out to the community once more, and asked those who visited to give us “the best piece of advice they had received or heard.” As thanks for these extra bits of inspiration, we’re giving two lucky advice-givers a print from our show, for the best words of wisdom we received. Here is what they said:

-Giveaway Winner-

“If you want things to change you’ve got to change direction.”
-M Weitz

-Runner Up-

“Don’t pay attention to what people say; rather, pay attention to what they do.”
-Louta

- - - - - - - - - - - - - -

“Never put things in boxes.”
-Anon

“Stay calm, and make art, even when it’s frustrating.”
-Kyle And

“Sometimes you just have to start.”
-Dana Caprio

“If you don’t want it bad enough, you don’t deserve to get it. (Roy Griak, 2007)”
-Mike Linnemann

“Dream things that never were and say why not. (Shaw)”
-Elena

“Never kill yourself. There is always an easier alternative to death.”
-Dennis

“Be content but never be satisfied.”
-Jason Loettler

“Live like a puppy would.”
-Nicole Huebner Briese

“It is more important to be happy than it is to be right. (My mother-in-law)”
-Jade Patrick

“Bet on the horse that poops last/Count to 10.”
-Steve Robbins

“Never Give Up! Trust Your Instincts! (Peppy Hare)”
-Josh Olson

“The first step to achieving your goal is showing up!”
-Anon

“No one is responsible for you. You’re responsible for yourself. Don’t feel guilty, just feel responsible.”
-Analaura

A big thanks to everyone who stopped by for the You Can Do It, Put Your Back Into It opening, and congrats to M Weitz and Louta! Be sure to check out our website, and stop by our store for all the wonderful art featured in the show.

Artist Interview: Richie Pope

Richie Pope is another artist participating in our SMART show, and one of our most frequent contributors.  His work has been in six of our previous shows: Pokemon Battle Royale, Tarot, Mystics, and the Occult, Girls: Fact + Fiction, Macro + Micro, Beautiful Forever, and Night of the Exquisite Corpse. He will also be showing in our upcoming sci-fi show, Station Zero, and our RPG self-portrait show, Role Models.  Needless to say, we are very big fans of his work.

Where are you from, and where do you currently live?
I'm originally from Newport News, VA, but I've been living in Richmond for 9 years now. 

How would you describe your art? 

My work combines my sketchbook observational drawings with more imaginative concepts, resulting in very dreamlike images. 

Many of your illustrations are surreal.  Where do your ideas come from?
My ideas really just float around in my head until I can reach up and grab hold of one. Fireflies is based off a childhood memory of catching fireflies with my older sister outside our family's apartment.  I depicted the kid (myself) as a cartoon character. With Adapting to Extreme Conditions, I wanted to play with the idea of someone being out of place, yet finding a way to exist. The result was a man in a deep-sea diver suit waiting for the bus in an underwater neighborhood.  How Cats Find Their Way Home is about the mystery of how lost cats return to their owners from as far as hundreds of miles away. I imagined that cats might have some sort of inner compass.  I also made a visual connection between the shape of a cat's eye and the shape of a compass, so that became the driving idea. 

Over Nine Thousand by Richie Pope
Featured in Macro + Micro Exhibition

How long does it take you to make an illustration? 

Depending on how complex it is, anywhere from 2 to 15 hours. I usually start and finish in one or two sittings. 

What materials/processes do you typically use? 
My illustrations usually start with a quick and loose graphite drawing. I like to use 2B-4B pencils because of their value range. Carpenter pencils are pretty much made of magic.  I sharpen them with a knife to get really irregular tips for a wider range of line width. I just started getting into gouache a couple of months ago. I paint on top of the drawing or on another sheet of paper that I scan in separately. Once I scan in everything, I just start collaging. The final becomes a mix of final drawing, drawings on different layers, stock textures that I made, scribbles and other things. In general, I know where the illustration is going, but there's a good chunk of spontaneity involved as well.  

As one of the artists in our upcoming SMART show, how are you interpreting the title? 
I want to communicate an idea, but how do I do it without spelling it out for the viewer? This question is what drives my illustration work, so I took the same approach with my piece 'Goodbye, Max' for the SMART show. 

Is there a trend in art/culture that is particularly interesting you right now? If so, is it influencing the work you create? 

It's really interesting to see my generation of illustrators and how big a role the internet is playing. It's easy to dismiss the number of ‘likes’ and ‘re-blogs’ as lacking any true value, but all of the recent opportunities that have come my way were because something I drew blew up on Tumblr, Facebook, or other social media. The internet is free promotion if your work is strong enough and seen by the right people. 

What are your main sources of inspiration?
Memories and dreams are a huge inspiration for my work. I like people and situations that are familiar but not quite 'right'. That ambiguity is really interesting to me. Anime (and manga), film, comics and video games find their way into my work. Street art is really beautiful to me as well. It's often so loose and full of energy, like giant sketchbook pages. I'm also a sucker for the composition kings of 60's and 70's illustration.



   The First Bionic Hand That Can Feel by Richie Pope

How do you spend your time when you’re not making art?

I like to make music, mostly EDM/hip-hop stuff. I'm a gamer for life, so video games are a nice interactive way to escape. I also practice scales on the harmonica. I can't play any songs (yet). 

Your lady, Nicole Hamilton, is also an artist.  How would you describe her work in comparison to yours? Do you collaborate often?

Nicole's animation and illustration work is really energetic and loose, which plays nicely with her clean line work and coloring techniques. I draw just as fast, but my line work is more raw and imperfect. We sometimes collaborate on some exquisite corpse drawings.  We had a blog with some of these drawings and actually thought about re-vamping it recently. There was the quintessential Adventure Time fan art that we worked on together. Nicole did the line work, and I did the coloring.  It turned out really creepy, bizarre, and beautiful. Our collaborations really just evolve into their own weird amalgamations of both our voices. Nicole draws a lot from her own imagination, which I had neglected in school in favor of a heavy reliance on reference.  Her work has definitely influenced me to trust my own imagination more, and it's given me more confidence in my work. In other words, she's pretty swell.

What are your artistic and career ambitions?

I want to build my illustration work and brand to the point where I can work on my own intellectual property, whether that be animations, comic work, street art, fine art or whatever. I want people to believe in the world that I'm building. I look to people like Mike Mignola, KAWS, Murakami, Aryz. People have complete faith in them as creatives and that's pretty amazing. It's a lofty goal, but I wouldn't mind being up there in that same league of creative freedom.

 What other artists should Light Grey and our blog followers check out?

Leslie Herman, Cathryn Hutton, Jeffrey Alan Love, Eric Pfeiffer, Dadu Shin, Julia Scott, Allison Smith, Chris Visions. They're all really talented, original and good people. 

We have an upcoming show about inspiration posters?  Do you have any inspirational words of wisdom you'd care to share? 
Take the advice that helps you. Throw out the advice that doesn't. This is how you'll carve your own lane. 

Goodbye, Max by Richie Pope
Featured in Smart Exhibition


Thank you for the wonderful interview, Richie!

You can see more of Richie's work and process  on his website here
And you can purchase the three piece print Goodbye, Max here

Artist Interview: Lindsay Nohl

Artist Interview with Lindsay Nohl
By Jenny Bookler

One of my favorite things in the world is getting to know new people. I love to sit down, grab a coffee, and talk about all of their thoughts and ideas. I have had the honor of getting to know several of you through artist interviews, online conversations, and in person, and I am always blown away by the breath of artwork, enthusiasm, and interesting personalities- you all are great!

So many of you ask, who runs Light Grey Art Lab? how many of you are there? what do you do? where do your inspirations come from? Well, to answer all of those questions and to return the openness you have shared with all of us, we will be conducting artist interviews within the Light Grey team!

To start this series of interviews, I want to introduce Lindsay Nohl, founder and owner of Light Grey Art Lab and Paper Bicycle LLC and Illustration Teacher at the Minneapolis College of Art and Design.  Lindsay is one of the most talented, kind, and hard working people I know, with unlimited enthusiasm and big ideas. I sat down with Lindsay this week to ask about her thoughts, motivations, collections, and upcoming projects:

You are the founder of Light Grey Art Lab, but how would you describe all of the things and parts you manage everyday?
Whoa. I don’t even know where to start. Well -- I come up with a ton of the exhibition and project ideas for Light Grey. (But I definitely couldn’t keep them going without everyone else, that’s for sure.) I usually write most of what people see on the internet. I’m in charge of the Twitter, Facebook and the calls-for-art on the blog.  I suppose I’m the marketing person (Is that even a thing we do?) and I’m the all-around ‘starter’ of things. I usually plan our trips to different places, and often bug the crap out of everyone else here with my “what about this!” ideas, and “let’s put this on the pile!” attitude. I’m really lucky everyone’s always so nice about it. I am totally a brain-stormer. I love brainstorming.

You are often coming up with new ideas and projects to start. What is your primary motivator? or inspiration for new projects?
I have an extremely short attention span, but a really wide array of interests. Plus, I get obsessed with things easily and tend to devour topics like I used to devour bubble tea. For some reason, when I’m hot on something, I’m super hot on it and my obsessions tend to be top-of-mind for me until I’ve somehow satiated my hunger for them. Sometimes I’m motivated to do a project because it’s challenging, other times it’s because I’ve convinced myself that I couldn’t live without seeing an idea come to fruition. Most times I’m inspired by totally serendipitous things like, for example, stumbling upon all of these amazing Sci-fi paperbacks in a local comic shop. I bought 13, then 20 more... and that’s when I was hooked. And Station Zero was born.

Oliver, one of Lindsay's cats, guards these precious Sci-Fi books

Where is your favorite place/atmosphere to make artwork?
I’m all about coffee houses. In fact, I’m also all about different places. I like to be where people are when I’m working. I’m not sure what it is about it, but I just feel energized. I had a corporate design job for a couple years right after school and when I decided to go off on my own I spent the next couple years loitering at coffeehouses all day / night. It was seriously the best. I’m sure I looked like a pack-mule with all of the stuff I hauled around with me, but I LOVED it. And when I’m not working there, I just really like being upstairs in my home studio. It’s super chill. I put the jams on and sing while I’m working. You can’t do that at a coffee house.

It's common for Lindsay's work-space to have everything and anything on it at all times. Here, you can see her prized possession, a white tiger lamp from Francesca. A gift to remember.

What are some common themes and subjects you like to draw?
I’m also an impatient creator, so if I’m trying to do something quick, I usually do one of two things. For the last couple years I’ve been drawing portraits of people - face only. (Or even more specifically just noses and mouths.) or patterns. Most of the things that I’ve shared in my personal portfolio / online are my patterns. I make them at work all the time, but I also make them for fun. I had a project a couple years ago called Daily Pattern for our blog.paperbicycle.com - where each of us in the studio did a pattern a day for 8 months. That’s a ton of patterns. And recently I’ve been creating patterns once a week (give or take!) for a similar project called 101florals. It just ended a bit ago, so I'm eager to start on a new project where I draw things. I have been tossing around a couple new ideas. If there's anyone out there that wants to collaborate on a sketch project, hit me up.

A sketch from one of Lindsay's sketchbooks. Venus Fly-trap!

Tell me about your favorite thing you have ever made. 
Well, I’m one of those artists that hates everything they make a day after they finish it. I revel in my projects for as long as I can, then I get all weird and self-conscious and move on. I’m sure that’s normal, right? So, to answer your question. I’m not su--- WAIT. THAT IS NOT TRUE. My favorite thing that I’ve made so far is Light Grey. (Didn’t see that one coming, did you?)

Besides Light Grey, I think it might be the projects I do for other people. If I'm making something for someone else, I find it so much more exciting. I adore giving gifts and I love the creating something for someone else.

What is the weirdest thing you have ever made (either by assignment or personal)?
Oh man. I have made a few that are mention-worthy. One time I made an illustration of Corey Feldman picking up dog poop. Another time I made 60 gouache paintings of  ‘bad things that people do’ , including pushing people’s faces into water fountains, spitting in people’s food.... but that was in school. I also made a wire sculpture of an opossum for some reason. We all do weird things in college, right? Just recently I did a project where I had to make a pattern out of meat. That was for a very reputable client. (and it was not my idea.)

If you could learn any new skill, what would it be?
Speed reading AND retaining the information. I can read pretty fast but I have a memory like a sieve. I adore books but I have the problem of digesting them and then confusing them with others.

What are your vices and things you cannot live without?
Currently? Eating bell peppers like apples. I’m all about cats. Actually, I’m all about all of the animals. I’m totally a tea person. Lately I’ve been adding lattes to my daily ritual because I drag in the morning. I am a night person, so that also means that I wake up horribly late. Collecting things. I am a hoarder of things. Specifically old paper things like vintage greeting cards, old books, and old wrapping paper.

What do you like to do in your free time?
…. free time. That’s a concept. I teach in my free time? I talk about projects and then do projects? I talk to my parents? I don’t even know anymore. I often have everything so packed in there that I’m not sure I actually have free time. I have a sliver of time when I’m eating at night after I come home from teaching and that’s usually when I put on an episode of something and pig out with Chris. Besides that I like to throw a much needed vacation in the mix and go on adventures to places there are no lines -- where you can crawl on everything, and be the only person for miles around. I also like the days when I sit down in a small space with someone and have heart-to-hearts. I love one on one conversations like nothing else. I'd always make time for those.

Lindsay teaching about succulents

What is your dream place/landscape?
I think everyone in the universe has heard that I want to retire when I’m 40 and move to Iceland and wear the same wool sweater all day, paint and read books in my 2 story library. Maybe I’d have a duck as a pet. All while with my back to a glacier and my face toward the sea. I’m sure it’d weather me as quickly as the first season of Man vs. Wild grizzled up Bear Grylls, but I’d be willing to take that chance.

In an alternate reality (which I only talk about when I am feeling frumpy) I'd live in an a creaky, four-story, turn of the century tudor-style house on a wooded corner of town. I would grow my huge hair out until it was long, grey and gnarly. The children would ride their bikes past my overgrown iron gates and they'd shriek when they saw my silhouette in one of the ivy-framed windowpanes. I would have taken up wood carving and topiary making, and my yard would be strewn with my endless 'projects'. Inside, you'd find me slowly shuffling through secret passages, or pondering my cabinets of curiosities. Stacks of my 'collections' would litter the hallways. Not as much a hoarders-situation as an ill-kept museum. At the back of the house I'd have a huge leaded greenhouse where finches and other songbirds kept my plants company. I'd have a crow for a famili-- I mean, a crow for a pet. My house would be drafty but my 6 cats would keep me warm at night.

What is the best advice you ever received?

My dad has the best sayings. One of them, (which I quoted in the Happiness & Success lecture) was in relation to allowing one’s self to pursue goals that are ambitious or far-fetched. He says “If it doesn’t work out, no one is going to take you out back and shoot you.” to which I say “Good point!” So we might as well just do the things we’re excited about without the fear of failing. I’m not even sure that failing exists. I’m not sure why people stop themselves from doing what they love, or going for something they want. I totally live by that idea and that particular shred of wisdom has given me all sorts of guts to try things I never thought I’d be able to do. It’s also given me more hope that I can do all sorts of other things if I keep trying.

Lindsay and her Dad, Victor.

If you could teach a class on any topic in the world what would it be?

I’d love to teach a class on collaboration, specifically. Now that I think of it, I’m not sure why I’ve never done that before. Think of the possibilities!

What is one of your life aspirations?

I’d really like to visit Europe one day and meet some of the amazing people I’ve met through all of our projects in person. Maybe couch surf my way around, eat all of the delicious food and enjoy myself for a couple weeks. I’m thinking that this might be a possibility some time soon. Might as well try, right?

I’d also like to learn how to meditate. Like, for real. I’d like to remember my dreams. I’d like to author a book about patterns. I guess you only asked for one aspiration. Whoops.

Do you have any guilty pleasures? Things you know you should not do, but do anyway?

I have many pleasures, but I do not feel guilty about any of them. :)

Thanks, Lindsay!

You can see more of Lindsay's artwork here and follow her blog here